Yves De MEY
“The Velocity of Anguish”

Yves De Mey’s music comes in many shapes, swaying from sparse to packed, and everything in between. But always with a strong focus on details, on the grains of what eventually becomes a solid entity, a resonant construction. Precise sound design and elastic rhythms are key, whether it’s in his solo work or in collaborations. In the past he has worked with Peter Van Hoesen as Sendai, and more recently he started Grid Ravage, a trio with Louis Evrard on drums and Gino Coomans on cello.
Since 2009, De Mey had a string of releases on a wide range of labels. Line, Sandwell District, Opal Tapes, Spectrum Spools, Editions Mego, Latency, Entr’acte, Stellage, Superpang, his own Bandcamp (obviously)… an ever-growing list of outlets allowing for a broad palette of styles and moods. There’s also been a vast amount of live shows at respected festivals and venues; CTM, Atonal, Labyrinth, Mutek,… to name but a few.

During office hours, De Mey works as a sound designer, sound editor and re-recording mixer. And in the last few years he added (live) mixing and mastering to his service package.

The Velocity of Anguish was recorded over the course of a few weeks, multitracking a fairly renowned bass and lead module through some loopers, spring reverb tanks and a Koma Elektronik Field Kit. It’s a perfect fit for De Mey’s other single instrument releases (i.e. Exit Strategies I on Entr’acte…)