
24,00€
Out of stock
“Black Truffle is honored to present a new issue of Annea Lockwood’s classic 1970 tape piece Tiger Balm, unavailable on vinyl for over thirty years, accompanied by two exquisite unreleased works for percussion and voice.
Created while Lockwood was living in the UK, the side-long Tiger Balm is a singular work within the cannon of tape music. Inspired by research into the ritual function of music, the piece explores the possibility of evoking ancient communal memories through sound. Breaking entirely with the dynamic language of the musique concrète tradition, Lockwood uses a select palette of mainly unprocessed sonic elements chosen for their mysterious and erotic characteristics (a purring cat, a heartbeat, gongs, slowed down jaw harp, a tiger, a woman’s breath, a plane passing overhead), presenting at most two sounds at once. As one sound flows organically into the next, their shared characteristics are highlighted, opening a space of dream logic and mysterious associations between nature and culture, the ancient and the modern.
The B-side presents two pieces for percussion recorded here for the first time. Amazonia Dreaming (1987), performed by Dominic Donato, uses unaccompanied snare drum and voice to evoke the nocturnal soundscape of the Amazon rainforest. Unorthodox techniques and materials (marbles, chopsticks, a plastic jar lid) transform the snare into a resonant field of sensual textures.
Immersion (1998), performed by Donato and Frank Cassara, is a slow-moving exploration of gentle beating tones, performed on marimba, tam tams and gong. Like the other two works presented on this LP, it provides captivating proof of Lockwood’s belief in the complexity that deep listening can reveal within seemingly simple sounds.” Francis Plagne
Presented in a stunning deluxe gatefold sleeve with archival pics and liner notes by Annea Lockwood including the score to Amazonia Dreaming. LP design via Stephen O’Malley. Mastered and cut by Rashad Becker at D&M, Berlin February 2017.
Trois pièces inédites ou non disponibles depuis longtemps de cette compositrice nord-américaine née en Nouvelle Zélande en 1939. On la connait pour ses portraits sonores de fleuves tels l’Hudson River ou le Danube.
Ici “Tiger Balm” (1970), une musique concrète qui joue avec un nombre limité d’éléments tels des grognement de tigres, des râles humains, des percussions et autres sons environnants… dans un mixage lent et progressif avec jamais plus de deux éléments à la fois. Simple et transparente, la technique disparaît au profit d’une poétique de l’image sonore.
“Amazonia Dreaming” (1987) pour voix et percussions interprétée par Dominic Donato, et “Immersion” (1998) pour percussions interprétée par DominicDonato et Frank Cassara, deux pièces aussi basées sur une économie de moyens et qui évoquent théâtre musical, paysages de forêts amazoniennes et expérience d’une écoute profonde façon Pauline Oliveros dans une quête d’un continuum acoustique.
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