
4,00€
In stock
“Intransitive Recordings is extra-proud to present 1975, the debut solo album of tightly-coiled, crackling electronic ambience by C. Spencer Yeh. While “debut” may seem a strange word to use to describe an album by a guy with such a deep discography, Yeh explains that 1975 is like nothing anyone has heard from him before. “One thing is I really wanted to focus on a certain feeling of stasis. So much of what else I do just kinda pushes and pushes forward. 1975 is more vertical than horizontal, even though one can’t escape the horizontal completely.” Taking a confident step away from his familiar work as an improvising violinist and vocalist, from the mythology of his rock/noise band Burning Star Core, and from his recent forays into pop music, the omnivorous Yeh here reveals himself to be a composer of unsettling electro-acoustic miniatures. Yeh approached his source material with a desire to be transparent, even literal, and to avoid straightforward narrative. The literal is there in the deceptively matter-of-fact track titles – “Drone”, “Voice”, “Shrinkwrap from Solo Saxophone CD”, “Two Guitars” – but knowing which sound source is buried beneath these tones does little to remove 1975’s sense of enveloping mystery. This is sensual abstract music with a light touch, a confident minimalism that only reveals its unsettling depth, sharp corners, and playful malevolence with repeat listens. For fans of Eliane Radigue, Hecker, Pita, or Kevin Drumm. Born in Taiwan, and now based in Brooklyn NY, C. Spencer Yeh is the one constant of the “band” Burning Star Core, whose other members have included Mike Shiflet and Trevor Tremaine & Robert Beatty of Hair Police. He has collaborated with a staggeringly diverse range of artists, including John Wiese, Tony Conrad, New Humans w/ Vito Aconcci, Aaron Dilloway, Okkyung Lee, Evan Parker, Yellow Swans, Greg Kelley, Paul Flaherty, Don Dietrich (of Borbetomagus), and Chris Corsano (to name just a few).”
Voici un très bon solo de C. Spencer Yeh qui prends ses distances avec ses expériences – au violon – plus impro-rock-noise (voir Burning Star Core) ou pop (!) pour se lancer dans une aventure électroacoustique entre drone, voix étendues, et études concrètes (autour de cellophane ou d’un piano). Un plaisir du son et de son expérience à travers onze miniatures aux titres explicatifs. Belle couverture ! Recommandé !
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