Arturo RUIZ DEL POZO
“Composiciones nativas”
16,00€
Out of stock
Set of Concrete Music works composed in solo mode by Arturo Javier Ruiz del Pozo, Mmus. Music for Native Peruvian instruments and Magnetophonic Tape created in the Electronic Music Studio of the Royal College of Music of the University of London between 1976 and 1978. Arturo Ruiz del Pozo composed each work as an independent and different sound texture from the others by the characteristic timbres of each native instrument executed properly.
For example in “Parantara” develops a blown melodic and harmonic tissue with Sikus (Zampoñas or Pan Flutes), while in “Lake of Totoras” also uses Sikus but rubbed. A sample of creative freedom is “Despegue” (Takeoff), where Ruiz del Pozo sums and merges all previous works by playing them at full speed generating a multiple white sound crescendo ending in sudden silence.
Compositional concrete music techniques as loops (repetitive tape fragments), variable speed (faster or slower playback of tape), superimposition (several channels recording), polyrhythm (simultaneous execution of fragments with different tempos), polytonality (simultaneous execution of fragments with different tonality looking for harmonization), aleatory mix (fusion of melodies, rhythms, textures, etc. produced randomly.) Microtonality (use of variable tuning microtones), tape echo ; coupled with creative techniques as free improvisation, classic and twelve-tone harmony, leitmotiv, dynamics, structure, etc.; were used with a coherent elaborated logic trying to create a unifying style of works that arose with spontaneous enthusiasm during the course of time.
The expressive character of Native Compositions, while being own and unique in the development of each work, can be defined as relaxing because the set of works conveys a meditative state of consciousness that brings us to the longing for inner peace so important and necessary in our lives.
By the encounter of the special sonority of Native Peruvian Instruments with academic techniques of musical composition at that time (management, development and process of sound elements physical and specifically recorded at tape), Native Compositions achieves a unique result in form, style, and artistic expression; driving us to a contemplative state of the amazement of existence.
Bonus tracks : “D” and “Kanon expansivo”.
Arturo Ruiz del Pozo, was born in Lima, Peru, in 1949, he studied with Miguel Donoso, Lily Rosay, Andres Sas, Edgar Valcárcel, Kenneth Jones and Lawrence Casserley. Studies in Lima: National School of Music. At the University of London: Royal College of Music. Academic Degree: Master of Music in Composition 1978.
Une suite de sept pièces de ce compositeur péruvien initialement parue en cassette et ici rééditée en CD avec deux compositions supplémentaires. Le sous titre du disque est “Musique pour instruments péruviens d’origine et magnétophone à bandes” (1978). Et c’est bien de cela qu’il s’agit – une rencontre entre des instruments acoustiques et les possibilités du studio analogique (boucles, variations de vitesse, superposition, écho, polyrythmie et polytonalité, etc.) sans s’interdire l’improvisation. Toutes les pièces ont été composées et créées à Londres en 1978, où le compositeur étudiait. Une approche marquée par le recherche de textures et l’entrainement du flux. Les deux compositions en bonus sont des œuvres instrumentales beaucoup plus classiques, une pour quatuor à cordes et l’autre pour quatuor à cordes et quatuor à vent. Belle découverte.
